Welcome to Confused Heap of Facts!

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I recently started this blog and an Instagram profile to share some history stories that I’ve come across since moving to Madrid.

One of the hardest things was deciding what to call it. I spent ages trying to think of a word, pun or quote that would cover what I wanted to do.

The problem was, what I wanted to do was quite random. There wasn’t really a set theme, time period or place, just some interesting bits of history that I discovered.

So when I came across this quote by Philip Dormer Stanhope, 4th Earl of Chesterfield (1694-1773), I decided it was perfect. Stanhope was a British statesman, diplomat, and writer, who travelled extensively and had a keen interest in history.

It sums up the often confusing, random and accidental things that have happened in the past and why it’s hard to get your head around history sometimes! 

So, check out my Instagram and please comment below with your favourite random fact about history!

I also do walking tours and have an audio tour of the Madrid river area- more information on the page here.

Made Glorious Summer: The Tale Continues…

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The (new) Globe theatre in 2017 decked out for a summer of love…

For the second part of my Shakespeare-themed travels, we head down to London, where William spent most of his adult life.

Act II: London 

“Shall we go see the relics of this town?”

Twelfth Night, Act III, Scene III

From around 1590 to 1613 Shakespeare worked as an actor, playwright, and theatre owner in the bustling capital of 200,000 people.  

At first, he lived north of the river in St Helen’s parish, but soon crossed over the Thames to Southwark, London’s main ‘entertainment’ hub. Shakespeare lived on Silver Street with French immigrant hat-makers, whereas I stayed nearby with an old school friend.

The bear-baiting arena and brothels that made the area infamous in the Tudor period have been replaced by eye-wateringly expensive modern apartment buildings and trendy food markets. However, glimpses of the Southwark that Shakespeare walked through daily can still be seen around you. 

“That which we call a rose, by any other name would smell as sweet” 

Romeo and Juliet, Act II, Scene II 

The first purpose-built theatre to show Shakespeare’s plays was The Rose, built on Maiden Lane (now Park Street). Built in 1587 by entrepreneurs Phillip Henslowe and John Cholmley, it regularly showed plays by celebrity playwright Christopher Marlowe. However, it wasn’t in use for that long, a newer playhouse The Globe (more on that below) became more popular and The Rose was dismantled in the 1600s. 

The Rose Court Office Block now sits on the site of The Rose. Vinyls on the windows give some information about this historical location, but it’s still underwhelming.

The Rose is actually more famous now for its modern rediscovery and the subsequent effect on British archaeology and town planning. We lay our scene in 1989, when the site was up for redevelopment. During a two-month excavation, and to everyone’s amazement, two-thirds of the original wooden foundations were discovered. The 14-sided irregular polygonal structure was the first Shakespearean theatre to be excavated, so everyone expected an immediate stop to the construction and for the site to be saved. 

However, a (not very merry) war then broke out between the government, the developers of the office block, the archaeologists, and Shakespeare fans including Judy Dench, Ian McKellan, Laurence Olivier and Dustin Hoffman. The contractors were under no legal obligation to do anything and the government didn’t want to pay compensation for halting the process. Under real threat of destruction, finally the office’s foundations were altered, so that The Rose’s remains could be viewed by the public and preserved under a layer of water to protect the timbers.

A (now missing) Blue Plaque is supposed to mark the spot of The Rose Theatre. It’s not really clear what this place is, and how you can get inside to see the foundations.

The subsequent bad publicity and embarrassment led to the UK Government’s introduction of PPG-16, a planning document that ensures archaeological work is a part of any new development. This may have been good news for the heritage industry, but the site today is still a massive anti-climax. It’s not obvious that you can visit, it’s all looking a bit shabby and the thousands of visitors that come this way every year must be disappointed. As King Lear said: “The shame itself doth speak for instant remedy”.

 “All the world’s a stage” 

As You Like It, Act II Scene VII

The Globe site is marked with marble and brick inlays, showing the line of the gallery walls and staircase. 

A few metres further down Park Street lie the remains of a much more famous theatre: The Globe. Shakespeare and a few of his acting mates bought the plot of land themselves and, using the timbers taken from another playhouse north of the river, constructed this new venue in 1599. Sadly, the thatched roof caught fire in 1613 during a performance of Shakespeare’s play Henry VIII (using cannons in a flammable building is NOT recommended). Quickly rebuilt the year later with a tiled roof, it was demolished in 1644 to be replaced with apartments, the new Puritan-led government having banned all theatre two years earlier anyway. Along with anything remotely fun in general. 

A bronze commemorative plaque and some information panels stand in front of The Globe’s original location.

If you want to see what the original would have looked like, you only have to walk 250 metres round the corner to Bankside. Shakespeare’s Globe is a dream made real by American actor and director Sam Wanamaker, after 20 years of hard work and extensive research. Opened in 1997, it’s a faithful two-story reconstruction of the original (with more fire exits thankfully) and still delights modern audiences who can get up close and personal with the actors, in an immersive experience that Shakespeare himself would probably have recognised. 

A few years ago I saw a fantastic Mexican-themed ‘Much Ado About Nothing’ at The Globe, with the crowd enjoying the (cheekily added) anti-US jokes. Well, Trump had not long got in…

“I can see a church by daylight”  

Much Ado About Nothing, Act II, Scene I 

While living in the neighbourhood, Shakespeare would have occasionally popped into his local place of worship: St Saviour’s Church, now called Southwark Cathedral. William’s brother Edmund is buried there, and a new stained-glass window commemorating The Bard’s life and works was installed in the 1950s (the Victorian original was destroyed during WWII bombings). The window features some of his famous characters, with an alabaster figure of Shakespeare lying underneath, literally. He’s shown reclining on his side, looking a bit bored with a sprig of rosemary in his hand in a ‘remembrance’ homage to his Hamlet.

Southwark Cathedral was closed for essential works the day I’d planned to visit.

I’d add more of my photos here, but in a tragedy worthy of the man himself, the cathedral was closed on the ONE DAY I decided to go. It’s a good excuse to come back next year, I’ll check the website beforehand though. Something Shakespeare never had to worry about before popping in.

“Would I were in an alehouse in London!”

Henry V, Act II, Scene III

As with all the best tours, we’re going to end our story in a pub.

The George is one of Southwark’s oldest pubs

Down a dark alley off Borough High Street sits The George: the only surviving galleried coaching inn in London. Rebuilt after a fire in 1676, it’s not the same building Shakespeare himself would have known, but he certainly frequented the previous medieval alehouse while living and working in the neighbourhood. 

Pubs like this pop up in many of his works, and during the Elizabethan period it was usual for plays to be performed in tavern yards, with a hat passed around to collect the tips. 

The balcony of The George is the perfect place to re-enact that Romeo and Juliet scene.

Sitting on the balcony of the upper gallery watching the crowd below enjoy a Saturday morning pint, I can imagine watching one of his plays right here. After a few beers, I could probably join in. Wherefore art thou Romeo? It’s your round, mate.

Next time: The town that witnessed Shakespeare’s birth, death and the beginning of the literary tourism industry: Stratford-upon-Avon. 

Rowboats on the Avon. I probably wouldn’t choose the Ophelia one…

Made Glorious Summer: A Shakespeare Holiday in Three Acts

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Shakespeare’s Funerary Monument in Holy Trinity Church at Stratford-upon- Avon, where he was born and died.

Around this time every year, when Madrid can get up to 40 degrees and it’s too hot to do anything, I return to Britain for a month to visit family and friends. 

By happy accident, my summer tour this year has had a Shakespeare theme, as three places I visited are linked with England’s most famous actor/director/playwright/poet. So, I’ve penned my own historical trilogy, exploring places tied to The Bard’s life and work.

So, if you can lend me your ears over the next few weeks, let us begin. 

 Act 1: Lancashire

“My friends are in the North

Richard III, Act IV, Scene IV

The first stop on our travels is Merseyside/Lancashire; my ancestral home, but probably not the first place you’d associate with Warwickshire lad William Shakespeare. 

Arriving in a cold and damp Liverpool in the middle of July, the weather was more tempest-like than a midsummer’s dream. To lift our spirits, my friend Lesley had the great idea of visiting The Shakespeare North Playhouse, somewhere I’ve been meaning to visit for a while.

“Is there no play, to ease the anguish of a torturing hour?” 

A Midsummer Night’s Dream, Act V, Scene 1

A conversation between architect Dr. Nicholas Helm and Shakespeare expert Professor Richard Wilson was the spark that led to the construction of Shakespeare North.

Opened in 2022, the building looks brand new from the outside with a cafe, bar, shop and rehearsal spaces, just like any modern theatre. But venture into its heart and you’ll find a reconstruction of a cockpit-in-court style wooden playhouse, the only one of its kind outside London and with all of its 470 seats mercifully indoors.

On this dark Tuesday night, we enjoyed ‘A Midsummer Night’s Dream’; performed brilliantly by a cast of only four women from The Handlebards, a group of traveling actors that move all their costumes, sets and props by bicycle. Their production was as madcap and funny as the play itself, with rapid costume changes, lovers getting dosed with the magic potion from water pistols, and audience participation that included snatching sweets thrown from the upper gallery. 

The cast interacted with the audience before the start,
dressed in orange ponchos to represent the fairy spirits in the play. In cheeky sprite style, they stole a few sips from our wine glasses too!

But what is a Shakespearean theatre doing a few miles east of Liverpool, in the small market town of Prescot? Well, back in Tudor times, there was also a theatre here, on the edge of the vast estate of the key players in our story: The Earls of Derby. 

Saw you the king to-day, my Lord of Derby?

Richard III, Act I, Scene III

The Shakespeare North theatre has a small display on the Earls of Derby, Tudor Lancashire, and its links to the theatrical world.

The 4th Earl of Derby, Henry Stanley, was one of the most powerful men in England during the reign of Queen Elizabeth I. In the 1580s he was Ambassador to the court of King Henry III of France, a Privy Council member, and was directly involved in both the trial of Mary Queen of Scots and the negotiations following England’s clash with the Spanish Armada. 

He was also a theatre buff, supporting the construction of Prescot’s playhouse in the 1590s. Built by local gentleman Richard Harrington, it is thought to have been the only purpose-built indoor playhouse outside of London. Sadly, it was only used for a few decades and has been lost to history, demolished at the end of the 1600s. As no original plans survive for this Prescot Playhouse, the new theatre’s layout was based on a 1629 design by architect Inigo Jones for the theatre inside The Palace of Whitehall in London.

The circular stage and close seating add to an intimate atmosphere similar to the original Stuart experience. The electric lights are safer though, and it’s probably a lot less rowdy. And with fewer outbreaks of the Black Death.

“All the world’s a stage, and all the men and women merely players”

As You Like It, Act 2, Scene VII

So who played at this Prescot theatre? We do know that the leading touring English acting companies of the day did travel the 200 miles from London up to Lancashire. They were paid to perform at Stanley’s main seat at Lathom House near Ormskirk (the town where I, in fact, was born) as well as other great houses of the northern gentry. These companies included The Queen’s Men, as well as Lord Strange’s Men, named after their patron Fernando, Lord Strange, the 5th Earl of Derby. This troupe, who with Shakespeare, would go on to form the Lord Chamberlain’s Men, based at the Globe Theatre in London.

This million crown question is did William Shakespeare himself ever leave London and perform some of his plays in Lancashire? This is a theory that scholars and historians have been debating for years, and the speculation is more wishful thinking than proven fact. No written records have been found that prove he ever came up this far. One of many ideas is that he stayed with his old Lancashire-born schoolmaster John Cottom as a young man. Perhaps he wrote and acted under the patronage of the Earls of Derby during his ‘Lost Years; the gap in Shakespeare’s life between his twin’s birth in 1585 and appearing in London in 1592. That one will probably remain a mystery, for all time. 

Next time: We travel down to London to lost theatres and lively pubs in the back streets of Southwark.

The site of the original Globe Theatre in London.

A dew-drop on the grid-iron plain: Laurie Lee in Madrid

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“On its mile-high plateaux, their city was considered to be the top rung of a ladder reaching just this side of paradise.”

These words, penned by British author Laurie Lee, capture his first impressions of Spain’s capital on a scorching summer day in 1935. 

Published in his 1969 memoir As I Walked Out One Midsummer Morning, Lee’s vivid descriptions still resonate through Madrid’s streets today. 

Born Laurence Edward Alan Lee (1914-1997), this young poet would go on to write travel books, radio plays, and short stories, along with some journalistic work. But it’s his autobiographical trilogy that really put him on the literary map. While most know him for Cider with Rosie, a lyrical ode to his Gloucestershire childhood, it’s the second book in the series that interests me. As I Walked Out One Midsummer Morning chronicles Lee’s brief but eventful stint in Madrid. 

The year is 1935, and 21-year-old Lee, after a year of toiling on London building sites, decides he’s had enough. “I would be penniless and free, and could just pack up and walk away,” he writes. Armed with only a smattering of Spanish (he could ask for a glass of water) and a violin for busking, Lee buys a one-way ticket to Vigo, a port in Galicia. What follows is a year-long trek through western and central Spain, from July 1935 to July 1936. Lee’s journey is peppered with encounters both comic and tragic, set against the backdrop of a nation teetering on the edge of civil war.

The midpoint of Lee’s Spanish odyssey was Madrid, so I’ve taken a few of Lee’s quotes and paired them with my own photos from recent midsummers in the capital. The result gives us a glimpse into a city that’s thoroughly modern yet still echoes with traditions and an atmosphere that might well have felt familiar to Lee, even 90 years later. 

A crystal platform 

Lee frequently describes Madrid’s clear blue skies, especially appreciated in the cooler mornings after hellish nights of suffocating heat in cheap, bug-infested hostels…

“Then the sky was an infinity of bubble blue, pure as a diamond seen through water, restoring to life the sleepless sufferers who emerged with faces shining like plates.”

“Raised close to the sky, the city sparkled, as though the first to receive its light.”

“Indeed Madrid, the highest capital in Europe* , was a crystal platform at this early hour.”

Exquisite taverns 

Lee spent most of his nights in bars, spending his busking money on wine, savouring the fantastic seafood on offer while listening to the animated conversations of the working-class locals.

“For Madrid at that time, if not today, was a city of a thousand exquisite taverns – water-cooled, barrel-lined, and cavernously spacious, cheap and affectionately run, in whose traditional shade the men, at least, spent a half of their waking time.”

“Nobody drank without eating – it would have been thought uncivilized (and may have been one of the reasons why no one was drunk). But then this sea-food, after all, was some of the best in the world, land-locked Madrid’s particular miracle, freshly gathered that morning from the far-away shores…”

But I think my most lasting impression was still the unhurried dignity and noblesse with which the Spaniard** handled his drink. He never gulped, panicked, pleaded with the barman, or let himself be shouted into the street.”

The heart of the city

Lee mentions specific locations he visited during his stay in Madrid, many of which are still visible today.

 “The Gran Via itself had a lion’s roar, although inflated, like a circus animal’s – wide, self-conscious, and somewhat seedy and lined with buildings like broken teeth.”

“I went first to the Post Office to collect my letters, which I found filed under ‘E’ for ‘Esquire’ – one from a newspaper with a third prize for a poem, and one from my mother hoping my feet were dry.”

“I felt that Madrid was a city where I might make some money, so I went to the Town Hall to get the usual permission. The man examined my violin hummed, a few bars of Il Travatore, and said I should go to the Commisserat of Police…”

“I ended that night, my last in Madrid, with a visit to the Bar Chicote – not the prophylactic night-spot it later became for tourists, but a place of unassumingly local indulgence. More like a private room than a public tavern, it has an atmosphere of exhausted eroticism, and the girls sat quietly in the shadows…”

This is where I leave you…

Lee’s Spanish adventure didn’t end in Madrid. He pressed on to Almuñecar, a coastal town in Andalusia, where he found himself when the Spanish Civil War erupted in July 1936. Luckily for Lee, HMS Blanche came to the rescue. This British warship was patrolling the area, enforcing Anglo-French non-intervention policies and scooping up similarly stranded civilians. (HMS Blanche herself had a tragic fate, becoming the first British destroyer sunk by enemy action in World War II when she hit a mine in November 1939).

But Lee’s love affair with Spain was far from over. Back in England, he longed to join the Republican fight, so crossed the Pyrenees to join the International Brigades from 1937-38. These later adventures form the heart of A Moment of War, the final installment of Lee’s autobiographical trilogy, published in 1991. In it, he returns to a Madrid transformed by conflict – but that’s a tale for another day…

To find out more about Madrid’s literary traditions, check out the new book from The Making of Madrid writer Felicity Hughes. Her ‘A Guide to Madrid’s Literary District’ is available online and at The Secret Kingdoms, Madrid’s friendly local English language bookshop.

* Actually Andorra de la Vela, the capital of the small co-principality of Andorra is the highest capital in Europe at 1023 metres compared to Madrid’s 650(ish).

** The drinker pictured is from Nuneaton. It was an unusually quiet night in the bar Antonio Sanchez!

Conquerors and Quesos: Tourism in Trujillo

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The church of San Martin of Tours sits at the corner of Trujillo’s Plaza Major

The month of May offers a few public holidays here in Spain (for the San Isidro Festival, check out this article). I planned a short break to Extremadura in western Spain with a few friends and of course, we visited the classical historical towns of Mérida and Cáceres. It was my first time enjoying this land steeped in history with breathtaking Roman ruins, Arabic walls, and Renaissance palaces.

It also just so happens that the first week in May is the Trujillo National Cheese Festival, a showcase for the finest of Spain’s dairy produce. Honestly, this was the main reason my friends and I decided to go, although I just about love history more than I love cheese…

The festival has been held since 1986 in the small town of Trujillo, which has another claim to fame as the birthplace of Francisco Pizarro, the conquistador whose actions ended Inca rule in Peru.

The Pizarro Problem

Pizarro was born in the 1470s to army officer Gonzalo Pizarro and Francisca González, a poor local woman. In fact, Gonzalo had numerous legitimate and illegitimate children with a few Trujillo women, including four half-brothers who would all end up grabbing money and power in Peru. Three of them died in violent ways, not uncommon in the back-stabbing world of international politics: Juan was hit by a rock during a siege, Gonzalo Jr. was executed by decapitation, and Francisco was assassinated. Only Hernando got to shuffle off quietly in his Spanish hometown.

During the cheese festival, Pizzaro looms over a sea of stalls. The feathers on his helmet make him look slightly demonic. Make of that what you will.

But it’s Francisco whose fame has lasted the longest and who gets a statue in Trujillo’s picturesque Plaza Mayor. He’s shown in the usual way: suited up in full armour on a mighty steed and wielding a sword of Toledo steel. However, this statue was not produced by a proud Spanish craftsperson, but was cast by American sculptor Charles Cary Rumsey (1879-1922). He was also a polo player, so it’s no wonder he’s most famous for his well-executed equestrian works.

This statue was, in fact, one of three similar pieces made at the same time. As statues usually reflect a contemporary political situation, rather than saying much about the subject themselves, one of them has had its own colourful history. As Rumsey was born in Buffalo, New York, the local art gallery has installed one version outside, which (at the time of publishing) is still there. The other is in Lima, the capital of Peru, a city founded by Francisco himself and where he met his bloody end. In 2007, it was moved out of the main Pizarro Plaza (now called the Peru Plaza) after years of protest and was replaced by the Peruvian flag. It now sits in a more out-of-town location, its long-term fate yet to be decided. Legend has it that the statue wasn’t even Pizarro anyway, but was originally supposed to represent another infamous conquistador, Hernan Cortes. However, even back in the 1920s, the Mexicans didn’t want it.

Trujillo has kept its statue and markets itself as the birthplace of Pizarro, with one of its attractions a house-museum (which I didn’t visit) purported to be the family home, extolling the ‘adventures’ of their native son and showing collections of contemporary objects.

There is speculation over whether the Pizzaro family even lived here, and it seems unlikely the space was shared by the wife, mistresses and ALL those kids…

The Cradle of Conquistadors

However, Francisco Pizarro isn’t the only one still getting an honorable mention in the region. Extremadura is legendary for being the homeland from where many fellow so-called ’explorers’ of Spain’s colonial history set out. Several distant relatives of the Pizarros were born here, including Francisco de Orellana, who mapped and named the Amazon River, Hernan Cortes, whose bloody exploits ended the Aztec empire in Mexico, and Vasco Núñez de Balboa, whose crossing of the isthmus of Panama possibly made him the first European to see the Pacific Ocean. These are just some of the ‘Conquistadores extremeños’ who all hail from this area, which begs the question: why?

There are numerous theories, with most linked to the fact that it has been one of Spain’s poorest regions for centuries. Many feel Extremadura peaked during the Roman era when the silver mines created jobs and generated enough wealth to build the spectacular buildings in Mérida, now on the UNESCO World Heritage List.

But outside the main cities, the region itself remained on the margins of Spanish prosperity. Its clay soils were bone dry in summer and saturated in winter, making the agricultural life back-breakingly hard with little reward. This accompanied a strong tradition of military expertise, with families having plenty of fighting practice forwarding the ‘Reconquista’ against Muslim rule and pushing back the Portuguese who hoped to make their nearby kingdom that little bit bigger.

With few opportunities at home to make a good living, it’s no wonder the state-sponsored expeditions and the chance for glory (and gold) in the New World were so appealing to ambitious young men.

Selling Extremadura

Extremadura in more recent times hasn’t fared much better. One of the biggest but least populated regions to this day, the economic statistics make for a depressing read. Extremadura is the only region of Spain officially categorized as “less developed” with a 44% unemployment rate for young people. Despite a high-speed train from Madrid to Badajoz currently under construction, transport links remain poor (a local joke goes: ‘Trains in Extremadura go at three different speeds: slow, very slow, or not at all’). Combine this with mass youth emigration and swathes of unmanaged forest leading to frequent wildfires, and it’s no wonder the tourist companies have turned to other ways of attracting visitors and their money.

Hence the ‘Land of the Conquistadors’ branding I found when doing my pre-visit research. The tourist literature is littered with words such as “illustrious,” “magnificent,” “daring,” and “proudly remembered” in describing the ‘conquest’ of South America. I can only assume they are marketing this at visitors who like their history covered with a thick layer of whitewash; they are certainly not going to attract the Latinx market. A quick look into how many modern Peruvians view Francisco Pizarro can be summed up as a ‘bastard, illiterate pig farmer who shamefully tricked and brutally murdered Inca ruler Atahualpa and thousands of others, before getting what he deserved at the point of a knife.’

A Whey Forward…

So, it’s probably a safer bet to promote gastro-tourism, and in a region where 50% of the land is still given over to agricultural production, selling the region’s food culture seems a more palatable option. In recent years, the tourist authorities have created the Ruta del Queso (the Cheese Route) that works with 140 different local businesses including farms, dairies, restaurants, and hotels to boost rural economies by offering tasting experiences and promoting these dairy delights.

Just a few of the cheesy tapas on offer..

This leads us back to where we started: the Trujillo Cheese Festival. With visitor numbers of over 100,000 expected over the five days, we opted to visit on the opening Wednesday. It was fairly packed, but we were still able to savor plenty of the 300 cheeses on offer from all across the country. I ended up buying a blue sheep cheese from Galicia but was very tempted by the Torta del Casar, the area’s most famous cheese, made from raw sheep’s milk infused with thistle whey. You enjoy the tangy flavor by spooning its gooey contents straight out of the wheel, and it is one of four local kinds of cheese honored with the ‘Protected Designation of Origin’ (DOP) mark.

If Extremadura aims to ride towards a future where its agricultural and culinary offerings take centre stage, providing sustainable economic opportunities and celebrating a heritage that everyone can enjoy, that’s a new world that would definitely leave a more pleasant taste in the mouth.

Eating a whole Torta del Casar would be a glorious adventure!